Sunday, October 20, 2013

America's Sweethearts, 2001

It's a comedy about Hollywood insiders and A-list types by Hollywood insiders and A-list types; sometimes it feels like it's for them, too. It's pretty funny, though entirely predictable, so the pleasure comes from primarily from watching the actors do things that they do well. John Cusack is the ripped-up, neurotic ex; Catherine Zeta-Jones is the imperious self-involved primadonna; Julia Roberts is the lovable good egg; Billy Crystal is the long-suffering wisecracker. Stanley Tucci, Hank Azaria, Seth Green, and Christopher Walken are all fun, too. It's like a bag of chips -- enjoyable, but not a meal.

Directed by
Written by and
Starring  , , and


It's surprising, but Christopher Walken
plays kind of an oddball.













-----

The places to hear from me:
Food - josh lubarr food stuff
Geekiness - geekiness(josh lubarr)
Movies - Old Movies and New with Josh Lubarr
Politics - Progressive Politics (per Josh Lubarr)
Silliness and comedy - Le Repository du Silliness, avec Josh Lubarr
Favorite movies - The Pantheon
Me generally - Josh Lubarr's web site extraordinaire
Also also - Josh's Part of lubarr.com  

Saturday, October 19, 2013

Suspicion, 1941

Directed by Alfred Hitchcock
Written by Samson Raphaelson, Joan Harrison, and Alma Reville
Starring and

It's early Hitchcock, and he does a fine job of slowly building up the tension. Some of the early, more romantic part of the movie is a little stilted, but it's good enough. And, apparently, the glow in the famous glass of milk at the end is because they actually had a lightbulb in it. Perhaps what's best about the movie is that it really is an excellent portrait of suspicion as a phenomenon -- Joan Fontaine's perspective gets more and more turned by her fears about Cary Grant, so that every new piece of information becomes another bit of the indictment against him.

SPOILER ALERT: It's quite something to watch her fears and feelings color her thinking more and more, despite the fact that she has no evidence that he's a murderer -- and, in fact, isn't one. She's acting on information that she has twisted, rather than what really is. There's a lesson here: If we have fixed views -- particularly negative prejudices -- about issues or people and are unwilling to actually look at facts or even our personal experience, then everything we see or hear will just confirm what we already believe, rather than helping us to discover what is actually true. In Joan Fontaine's case, what's particularly striking is that she doesn't see her own complicity in creating the situation, and that she's unwilling (until the very end of the movie) to contend with the fact that her blaming Cary Grant for her own situation has been on a false basis and that her fears are the cause of much of what's gone on.

The faceless Cary Grant and the fearful glass of milk.















Suspicion at IMDB

---

The places to hear from me:
Food - josh lubarr food stuff
Geekiness - geekiness(josh lubarr)
Movies - Old Movies and New with Josh Lubarr
Politics - Progressive Politics (per Josh Lubarr)
Silliness and comedy - Le Repository du Silliness, avec Josh Lubarr
Favorite movies - The Pantheon
Me generally - Josh Lubarr's web site extraordinaire
Also also - Josh's Part of lubarr.com